Jimmy Fallon, the new host of the "Tonight show", introduced himself to viewers on Monday like a freshly licensed doctor taking over a retiring gerontologist’s practice.
Mr.
Fallon didn’t smirk or make sarcastic asides. He gently and earnestly
explained that he is 39, lives in New York City, and has a wife and a
new baby. He pointed out his parents in the studio audience and also how
the monologue works. He choked up a little when talking about the
“Tonight” show legacy. “I just want to do the best I can,” he said. “And
take care of the show for a while.”
Even
with celebrity cameos (Tina Fey, Stephen Colbert, Robert De Niro, among
many others) and high-profile guests like Will Smith and the band U2,
Mr. Fallon’s debut was more sweet than sassy. He was the grateful heir,
the eager freshman, the class clown with top grades and a good heart —
someone older viewers can embrace without fear of being mocked or
overlooked.
The “Tonight” show is in good hands, but its longevity rests
less on the host than on audiences who increasingly don’t turn on a
television to watch television. Mr. Fallon intimated as much when he
recalled begging his parents to let him stay up late to watch Johnny
Carson. He got a little emotional when he added that he hoped there was
“a kid out there asking their parents to stay up to watch me.”
Maybe.
But that kid can watch “Tonight” on his iPhone on the school bus the
next day. And unlike Mr. Fallon, he isn’t likely to grow up aspiring to
host the “Tonight” show anymore than he will get his news from a paper
edition of The New York Times.
Paradoxically,
a format that hasn’t changed since Mr. Carson codified it (monologue,
celebrity, musical guest), is ideally constituted for the cut-and-paste
ethos of YouTube and Twitter. Far more than a drama or a reality show, a
joke or musical number can be plucked and posted online as a
stand-alone. There is no need to DVR anymore: why record the cow when
the Internet and social media can give viewers the milk for free?
And
that sense of impending change tends to trigger the instinct to
preserve, which may be why Mr. Fallon’s first “Tonight” show was so
steeped in tradition and solemnity.
After more than 40 years in Los Angeles, the show has moved back to New York,
where it originated in 1954. Spike Lee was asked to film the show’s
artsy opening credits. Even the title has reverted to the wording that Mr. Carson used. When Mr. Leno took over the show in 1992, he changed it to “The Tonight Show With Jay Leno.” Mr. Fallon is calling his “The Tonight Show Starring Jimmy Fallon.”
The
new set is more elegant than Mr. Leno’s, but also quite formal and a
little impersonal: a slate blue couch, a handsome honey-colored wood
desk and matching walls. The one feature that distinguishes it from a
business center at a Four Seasons hotel is the backdrop – a New York
skyline made of miniature wooden skyscrapers. (Mr. Fallon also had a
four-leaf clover painted on the floor to mark his place for the
monologue.)
The
changeover was commemorated with a visually stunning novelty: U2
performed a new song, “Invisible,” on the roof of Rockefeller Center,
framed by the pink and gold of Manhattan’s skyline at sundown.
Mr.
Fallon delivered a fairly classic “Tonight” monologue with predictable
jokes about the Olympics. He also introduced a staple of his “Late
Night” repertoire, a dance number. He and Mr. Smith donned denim
overalls and performed “The Evolution of Hip-Hop Dancing.”
But
throughout the show, Mr. Fallon made nice more than he made jokes. It
was notable that when he brought up thank-you notes, he wasn’t
introducing his popular letter-writing skit. Instead he congratulated
Mr. Smith on the good manners of his daughter, Willow, 13, marveling
that after he sang one of her songs a few years ago, Willow wrote him a
polite thank-you letter on proper stationery.
Mr.
Fallon is a charming and gifted comedian who on his first night chose
to be subdued and at times even serious. That said as much about the
uncertain future of “Tonight” as it did about its new host.
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